British \u2018Maximalist\u2019 Artist and Icon Duggie Fields kindly and generously issued this piece via a recent communication to Eyeplug Magazine. With a vivid, seemingly warm, festive theme, Duggie utilises vintage found images and re-renders them in a bold and montage layering style, that is constantly evolving and offers the viewer a statement on just how distorted modern day Christmas has possibly become. Image after image of traditional festive cliches jolt against stark silhouettes of homeless and lost people pushing their worldly belongings around in Corporate shopping baskets. It\u2019s strong, bold, fun and warm and brightly makes a very strong lasting impression. Have a very Merry Christmas, Duggie Fields, you are indeed a one-off! Interesting sound manipulation too!<\/p>\n
Film \/ Video \/ Television
\n1981 \u2018SLICE OF LIFE\u2019, video Taboo club screenings, London 1982 \u2018POISED ON THE EDGE OF TASTE\u2019 , film, The London Film Co-0p; ICA Cinematheque London; London International Video Festival 1983 Alter Image, tv, Channel 4 UK 1985 \u2018Menschens Kinder\u2019, tv, ZDF Germany 1985 The Oxford Roadshow, tv, BBC 2 UK 1987 \u2018South of Watford\u2019, tv, ITV (UK) 1992 \u2018Londynskie Pracownie\u2019, tv, Ch.1 Poland 1993 \u2018THE BIG RIDDLE\u2019, video, Gas club, London, The Pot, tv, New York Cable, USA 1995 Joan Quinn Show , tv, Los Angeles Cable, USA; \u2018The Big Riddle\u2019, video, European Media Art Festival, Germany 1997 \u2018The Colour Eye\u2019, tv, BBC1 UK 1999 \u2018Private Property\u2019, tv, ITV, UK; \u2018SOMETIMES\u2019, digital animation, Hackney Empire Appeal, Lux Centre, London 2000 Portobello Film & VIdeo Festival, London; Venice Short Film Festival, Italy.<\/p>\n
British Maximalist Artist and Icon Duggie Fields kindly and generously issued this piece via a recent communication to Eyeplug Magazine. With a vivid, seemingly warm, festive theme Duggie utilises vintage found images…<\/p>\n","protected":false},"author":48,"featured_media":4125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[196,68,67,60,109,128,61,106,105],"tags":[649,121,717],"series":[],"class_list":["post-4117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","category-art","category-culture","category-eyeplugs","category-festivals","category-hot-plugs","category-media","category-picks","category-visuals","tag-duggie-fields","tag-eyeplug","tag-happy-christmas"],"_links":{"self":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/comments?post=4117"}],"version-history":[{"count":8,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4117\/revisions"}],"predecessor-version":[{"id":4124,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4117\/revisions\/4124"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media\/4125"}],"wp:attachment":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media?parent=4117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/categories?post=4117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/tags?post=4117"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/series?post=4117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}