{"id":4887,"date":"2015-07-20T13:28:16","date_gmt":"2015-07-20T12:28:16","guid":{"rendered":"http:\/\/www.eyeplug.net\/magazine\/?p=4887"},"modified":"2018-02-09T18:07:21","modified_gmt":"2018-02-09T18:07:21","slug":"cherry-red-album-reviews-july-2013-2-by-scenester","status":"publish","type":"post","link":"https:\/\/www.eyeplug.net\/magazine\/cherry-red-album-reviews-july-2013-2-by-scenester\/","title":{"rendered":"Cherry Red Album Reviews \u2013 July 2013 (2) by Scenester"},"content":{"rendered":"<h1>The Association<\/h1>\n<p><a href=\"http:\/\/eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association.jpg\" rel=\"lightbox[4887]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4890\" alt=\"the_association\" src=\"http:\/\/eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association.jpg\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association.jpg 250w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association-100x100.jpg 100w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association-150x150.jpg 150w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/the_association-200x200.jpg 200w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p><strong>The Association<\/strong> &#8211; <em>Deluxe Expanded Edition New Sounds<\/em> &nbsp;&#8211; CR\/Now 43<\/p>\n<p>As the UK luxuriates in its hottest summer for years, this writer settles back in his deck chair, long tall orange juice in hand, and takes in the sweet summer sounds of 1969.&nbsp;Otherwise known as their \u2018Stonehenge\u2019 LP, due to the perhaps ill-advised cover artwork, The Association\u2019s self-titled fifth LP is all the better for its CD release. Augmented with a carefully chosen selection of mono singles, from original master tapes, these tracks avoid the pitfalls of being produced for a modern audience with an up to date sensibility.<\/p>\n<p>Opening track \u2018Look at Me, Look at You\u2019 has some of the sweetest harmonies heard, always a strength of this West Coast band, and \u2018Yes I Will\u2019s buzzsaw guitar is the only note of tension in this open, honest declaration of love. \u2018Love Affair\u2019s close harmonies approach that of another famous West Coast band, and \u2018The Nest\u2019s slow lament of a familial break-up touches where it should, but manages to turn hopeful toward the end.<\/p>\n<p>\u2018What Were the Words\u2019 has a country feel, as it runs through its meditation on indecision and inaction. It\u2019s followed by the upbeat, challenging \u2018Are You Ready\u2019, all about seizing the day before it\u2019s gone, filled with street slang, brass and a bold soul feel throughout.<\/p>\n<p>\u2018Dubuque Blues\u2019 could hardly be more different, a gorgeous, country tinged melody with all the longing you\u2019d expect of a fondly remembered childhood home. Its subtle tempo changes and that touch of bitterness toward the middle are sensitively handled in this masterly evocation of a distant time and place.<\/p>\n<p>\u2018Under Branches\u2019 has a quiet, subtle intro in the style of \u2018It\u2019s Too Late\u2019, and those spot-on harmonies, fitting the mysterious poem perfectly. Skirting around the subject of regret, and exploring the suppression of honest impulses, the track doesn\u2019t resolve, but has enough wordplay to keep the listener guessing.<\/p>\n<p>\u2018I Am Up For Europe\u2019 and \u2018Broccoli\u2019 are a little hippie jokiness to lighten the mood, the former an affirmation with a tight drum tattoo keeping it company, the latter a bit of nonsense about a favourite food with the band\u2019s perfectly blended harmonies making it difficult to resist.<\/p>\n<p>\u2018Goodbye Forever\u2019s urgent love affair and the inevitable sorrowful aftermath are well realised, even if the language has a little too much distance. \u2018Boy on the Mountain\u2019 builds to a great crescendo with exciting guitar bends after its \u2018Fool on the Hill\u2019 style opening, and closes the original LP well with its striking effects.<\/p>\n<p>Among the singles included here, \u2018Just About the Same\u2019 has a nimble bass line, great harmonies, hand claps and an overall feel-good vibe that is hard to beat. \u2018Six Man Band has fuzzy guitar, solid electric backing, and is otherwise a typical \u2018travellin\u2019 man\u2019 type of song. \u2018Seventeen Jewels\u2019 loud swell carries it up beautifully, and \u2018Enter the Young\u2019s very \u2018English\u2019 guitar sound suits this song of youthful feelings. It is a complete mystery to this listener as to why this single was withdrawn. A completely worthwhile accompaniment to a hot summer\u2019s day. Please do&nbsp;<a href=\"http:\/\/www.cherryred.co.uk\/shopexd.asp?id=4213\" target=\"_blank\">Buy HERE!<\/a><\/p>\n<h1>The Electric Prunes<\/h1>\n<p><a href=\"http:\/\/eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes.jpeg\" rel=\"lightbox[4887]\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4891\" alt=\"electric_prunes\" src=\"http:\/\/eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes.jpeg\" width=\"250\" height=\"250\" srcset=\"https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes.jpeg 250w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes-100x100.jpeg 100w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes-150x150.jpeg 150w, https:\/\/www.eyeplug.net\/magazine\/wp-content\/uploads\/2013\/07\/electric_prunes-200x200.jpeg 200w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/p>\n<p><em>Mass in F Minor\/ Release of an Oath The Kol Nidre<\/em> &#8211; <strong>The Electric Prunes<\/strong>&nbsp; &#8211; (Morello Records MRLL 16)<\/p>\n<p>This summer sees the re-release of The Electric Prunes\u2019 ambitious third and fourth LPs in one tidily packaged CD. That these complementary LPs followed mainstream chart success by the band they are credited to , but were substantially the work of session musicians, will come as no surprise to anyone with a little insight into the machinations of the roaring-lion 60\u2019s music business.<\/p>\n<p>Based on the Latin Mass and steeped in the then prevalent psychedelic style, the LP\u2019s opener, \u2018Kyrie Eleison\u2019s fuzzy staccato guitar and organ blend with Gregorian chanting to produce something that would come to be regarded as a classic. Cinephiles among you will be aware of its presence in the superlative biker\/stoner\/road film \u2018Easy Rider\u2019.<\/p>\n<p>\u2018Gloria\u2019s liturgical organ intro soon gives way to a twangy guitar solo, throbbing bass and drums in support, and leads out to spacey woodwind effects. \u2018Credo\u2019s organ and triumphant horns herald an altogether more upbeat piece, soon diverging into psyche territory, finally turning into a waltz of guitars and horns, all the while \u2018Credo\u2019 (\u2018I Believe\u2019) chanted insistently over the music.<\/p>\n<p>\u2018Sanctus\u2019 climbing-the-stairs rhythm is pleasing enough, but it\u2019s \u2018Benedictus\u2019 that emerges as the standout of the LP, a Celtic reel on guitar mixed with an Asian playing style, the organ carrying it up until we reach the triumphant horns and the unending chant of \u2018Gloria In Excelsis\u2019.<\/p>\n<p>Closing track \u2018Agnus Dei\u2019 opens with measured chanting, feedback screaming over a pedestrian backing with drums and guitars, the bass creating tension with up and down strokes over twangy, screeching guitar and a slightly unnerving glockenspiel in the background.<\/p>\n<p>\u2018Release of an Oath\u2019 has a fabulous opener in \u2018Kol Nidre\u2019, its Eastern melody played teasingly on woodwind, later taken up by guitar and carrying the song ever upwards into some mystic ecstasy. \u2018Holy Are You\u2019, over simple piano chords, subtle drum and cymbal work, shares an Eastern feel with its predecessor, further enhanced by deft psychedelic guitar.<\/p>\n<p>\u2018General Confessional\u2019s short organ chords backed by drums shape the tune, violins whining their disagreement, with fuzzy guitar making its inevitable appearance later on. \u2018Individual Confessional\u2019 s urgent, \u2018wake up\u2019 two-note piano chords turn up the tension, until we reach \u2018Our Father The King\u2019, its piano and violins playing in a similar vein, supported by bass and horns, turning into a more conventional rock and roll tune with an exciting bass run.<\/p>\n<p>\u2018The Adoration\u2019s hesitant bass, with organ playing counterpoint, offers an unexpectedly upbeat tune, leading into \u2018Closing Hymn\u2019s bells, drums and rising guitars, all combining and letting go to a pleasing resolution.<\/p>\n<p>The use of session musicians in creating great music is long established, and given that much of it is made by the young and musically naive, arguably necessary for its continuance as a popular form. It\u2019s the music that\u2019s important, so let\u2019s not fall out over personnel. Just listen. <a href=\"http:\/\/www.cherryred.co.uk\/shopexd.asp?id=4184\" target=\"_blank\">Buy HERE!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Otherwise known as their \u2018Stonehenge\u2019 LP, due to the perhaps ill-advised cover artwork, The Association\u2019s self-titled fifth LP is all the better for its CD release. Augmented with a carefully chosen selection of mono singles, from original master tapes, these tracks avoid the pitfalls of being produced for a modern audience with an up to date sensibility. Based on the Latin Mass and steeped in the then prevalent psychedelic style, the LP\u2019s opener, \u2018Kyrie Eleison\u2019s fuzzy staccato guitar and organ blend with Gregorian chanting to produce something that would come to be regarded as a classic. Cinephiles among you will be aware of its presence in the superlative biker\/stoner\/road film \u2018Easy Rider\u2019.<\/p>\n","protected":false},"author":6,"featured_media":4890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[6,82,128,71,87,74,86],"tags":[750,305,782,783],"series":[],"class_list":["post-4887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-folk","category-hot-plugs","category-music","category-pop","category-reviews","category-rock","tag-cherry-red-records","tag-scenester","tag-the-association","tag-the-electric-prunes"],"_links":{"self":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/comments?post=4887"}],"version-history":[{"count":6,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4887\/revisions"}],"predecessor-version":[{"id":8603,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/4887\/revisions\/8603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media\/4890"}],"wp:attachment":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media?parent=4887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/categories?post=4887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/tags?post=4887"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/series?post=4887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}