{"id":5075,"date":"2018-01-26T18:42:45","date_gmt":"2018-01-26T18:42:45","guid":{"rendered":"http:\/\/www.eyeplug.net\/magazine\/?p=5075"},"modified":"2018-02-10T16:20:21","modified_gmt":"2018-02-10T16:20:21","slug":"cherry-red-icons-the-primitives","status":"publish","type":"post","link":"https:\/\/www.eyeplug.net\/magazine\/cherry-red-icons-the-primitives\/","title":{"rendered":"Indie Icons – The Primitives"},"content":{"rendered":"
This entry is part 7 of 8 in the series Cherry Red Icons<\/a><\/div><\/div><\/div>

Fronted by indiepop blonde bombshell Tracy Tracy<\/em>, The Primitives<\/strong> emerged from the independent scene of the mid-80s that spawned The Jesus and Mary Chain, My Bloody Valentine, The Wedding Present and Primal Scream. Their sound distilled the shimmering guitar jangle of the Byrds, the buzzsaw style of The Ramones and 60\u2019s girl group melodies into two and a half minute pop gems. Regular session guests on John Peel\u2019s radio show, with many an appearance in his Festive Fifty, their career was boosted\/hindered when Morrissey named them as one of his favourite bands.<\/p>\n

A widely acclaimed first album, Lovely,<\/em> made them the UK\u2019s indie darlings, while the huge success of the single \u2018Crash\u2019 saw them cross over to a mass audience. Further chart success followed, along with two more studio albums, Pure <\/em>and Galore<\/em>, plus extensive tours of Europe and the US, before the band called it a day in 1992. Guitarist Paul Court and drummer Tig Williams continued to work together on various musical projects throughout most of 1990s, while Tracy contributed vocals to Band of Holy Joy amongst others, and also recorded with several outfits working in the dance music field. In 2008, Mojo Magazine voted the Primitives\u2019 second single \u2018Really Stupid\u2019<\/strong> one of the Top 40 UK indie singles of all time.<\/p>\n

The band were reunited in 2009 by the untimely passing of their original bass player Steve Dullaghan, (RIP) reforming to play a show in his memory later that year in their home town of Coventry; their first show together for 17 years. Bolstered by its success they went on to tour the UK in April 2010, receiving a rapturous response, followed by a headline slot at the Indietracks festival and shows in the US and Europe.<\/p>\n

In 2011 the Primitives released the Never Kill A Secret<\/em> EP through Fortuna Pop! The record featured two brand new songs and two covers of semi obscure female fronted songs. The two covers were a precursor to their latest album Echoes and Rhymes<\/em>, released on Elefant records in 2012. They found time to speak to eyeplug.net recently…<\/p>\n

01. You\u2019ve had few line-up changes in your history. What would you say kept you together so well?<\/h3>\n

Probably the fact that no one is interested in any music we\u2019ve done separately, so if we\u2019re going to be involved with making music then it seems it can only be The Primitives. plus we\u2019ve never fallen out much.<\/p>\n

02. You\u2019re currently touring with a re-release of \u2018Lovely\u2019 to promote. How is the tour going? Are the audience basically your \u2018old faithfuls\u2019 or are there many new faces in there?<\/h3>\n

The Lovely tour starts September 21st, but yes we have a mixed range audience. Some very dedicated fans from the first time round and some new ones too.<\/p>\n

03. What is your opinion of the current pop scene? What aspect of it are you excited by? What aspect do you dislike?<\/h3>\n

There\u2019s always something to like, because there is so much out there and so much more is accessible. There\u2019s a lot of that clueless Topman \u2018indie\u2019 stuff about too.  I don\u2019t know their names, because I\u2019m not interested in them.<\/p>\n

04. What are your thoughts on the reissue of \u2018Lovely\u2019, particularly the bonus tracks? Are you pleased to see them out again? Do you think any are closer to the sound you started with?<\/h3>\n

We were never totally happy with the album, because as I\u2019ve said before, it was kind of thrown together with stuff we\u2019d recorded mainly throughout 1987, so it felt more like a compilation album. Hearing it in 2013 I can appreciate it for what it is. I still have niggles about bits of it and I\u2019m not sure if some of the versions of the songs are the best, but there\u2019s plenty to like. I don\u2019t think it\u2019s ever boring, which would be the worst thing.<\/p>\n

The bonus tracks are fine. They\u2019re mainly B sides and it\u2019s nice that \u2018Things Get In Your Way\u2019 has been made available again, coz it\u2019s a good little song and we only ever did that live in the studio version, which was buried away on a \u2018Crash\u2019 b side. You also get \u2018Way Behind Me\u2019 which is in a similar style to \u2018Crash\u2019 but possibly better. It was originally on our 2nd album Pure, but ended up on the US release of Lovely as it was released later the same year as Lovely. Beat version of \u2018All The Way Down\u2019 is also a big favourite.<\/p>\n

05. Did you have mixed feelings about any of them? Which ones and why?<\/h3>\n

The live tracks maybe. They were recorded with a couple of mics out in the audience and don\u2019t sound so good, but then again I guess they capture the atmosphere like a better recorded version of an old bootleg cassette<\/p>\n

06. Are you writing any new material? If so, are you at the demo stage or studio recording?<\/h3>\n

Yes we\u2019ve been in the studio recording new stuff… possibly for an album, for release early next year.<\/p>\n

07. How has the appearance of new technology affected you? Do you like to keep up with the latest kit, or do you prefer your old, tested equipment? What are your reasons?<\/h3>\n

We use modern recording techniques with vintage gear, because that\u2019s what is available to us and we were happy with the overall sound of our covers album \u2018Echoes & Rhymes\u2019 which we recorded in 2011 in this way.<\/p>\n

08. How did you arrive at your sound? How much were you affected by your peers and how much by those you admired?<\/h3>\n

We originally sounded like The Birthday Party, The Gun Club and The Cramps. When Tracy joined we realised she probably wasn\u2019t going to be into shrieking into the monitors with her top off, so a few pop songs were quickly written, almost in a mocking way at first i.e we\u2019ve got a pretty little girl fronting the band, let\u2019s sing about flowers and stuff. But we kept our original racket and I guess we were looking towards that Marychain nice songs with noise thing.<\/p>\n

09. Which musicians\/bands\/singers did you admire when you were first playing? Why? How far do you feel they influenced you?<\/h3>\n

Bo Diddley, Rowland S Howard, Velvets, The Cramps, The Fall… it\u2019s really just about the approach and attitude. When I was 15 and trying to learn to play guitar I wasn\u2019t interested in being able to play \u2018Purple Haze\u2019, I wanted to just put D and G together and play \u2018Waiting For The Man\u2019 or play that Bo Diddley rhythm.<\/p>\n

10. How do you feel The Primitives fit into the current pop scene? Do you feel you have younger kindred spirits? Who are they?<\/h3>\n

I don\u2019t think we fit in at all. I\u2019m sure there are some modern bands with affinities to the Prims… l\u2019ll check Last FM and get back to you.<\/p>\n

11. What\u2019s your world like? Books? Films? TV shows? Pastimes? Why are they so vital or important to you?<\/h3>\n

Nuts In May
\nVision On
\nPlanet Of The Apes
\nSvankmajer\u2019s Alice
\nPoor Cow
\nNight Of The Hunter
\nComet In Moominland
\nBedazzled
\nBlue Jam
\nDog Day Afternoon
\nMidnight Cowboy
\nBuffalo 66
\nPsycho
\nMemoirs Of A Sword Swallower
\nThe Wicker Man
\nThe Thing
\nPerformance
\nDead Man\u2019s Shoes
\nThe Fan Man
\nSexy Beast<\/p>\n

Just some stuff I like that helps displace stuff I don\u2019t.<\/p>\n

12. Who would you say has inspired you the most, and why?<\/h3>\n

I think I would have to say The Velvet Underground. I started listening to them when I was 14 and I thought I was the only person in the world that knew about them. They felt like a secret friend for a couple of years, until I met other people who listened to them too. They\u2019re more or less a household name these days, but they still represent a sort of benchmark for the other stuff…the hidden away stuff.<\/p>\n

13. Who do you wish had never been born, and what do you wish had never been invented?<\/h3>\n

I\u2019ll go for everyone\u2019s favourite mass murdering christian hypocrite Tony Blair, for the obvious reasons and for setting the precedent that anyone trying to become PM these days has to have the demeanor of a particularly cheesy after dinner speaker at a gorgonzola convention. I wish the bidet to be uninvented – they\u2019re supposed to be posh, but really they\u2019re just little monuments to a certain human bum function problem, right there staring you in the face in the bathroom. Why not just have a hydraulic sink?<\/p>\n

14. How do you see The Primitives developing over the next year or so? Will you embrace change? Will you stick to the template? A middle course?<\/h3>\n

We will go backwards, while looking sideways at the future.<\/p>\n

Web Links
\n<\/strong>Offical Site: the-primitives.co.uk\/
\n<\/a>Facebook: facebook.com\/ThePrimitivesOfficial
\n<\/a>Twitter:  twitter.com\/PRIMITIVESband<\/a><\/p>\n

Tour dates  <\/strong>
\nents24.com\/<\/a>
\nSept 2013<\/em>
\n21 Bath Moles
\n22 Glasgow King Tut\u2019s
\n23 Edinburgh Electric Circus
\n24 Manchester Sound Control
\n25 Leeds Brudenell
\n26 Wolverhampton Slade Rooms
\n27 Southend Chinnerys
\n28 London 100 Club<\/p>\n

Link to buy the current Releases
\nEchoes-And-Rhymes-The-Primitives\/<\/a>
\nLovely-~-25th-Anniversary-Edition\/<\/a>
\nEverythings-Shining-Bright-Lazy-Recordings\/<\/a><\/p>\n

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<\/div>\n","protected":false},"excerpt":{"rendered":"
This entry is part 7 of 8 in the series Cherry Red Icons<\/a><\/div><\/div><\/div>

Fronted by indiepop blonde bombshell Tracy Tracy, The Primitives emerged from the independent scene of the mid-80s that spawned The Jesus and Mary Chain, My Bloody Valentine, The Wedding Present and Primal Scream. <\/p>\n","protected":false},"author":6,"featured_media":5083,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[60,6,128,117,88,73,106],"tags":[804,803,121,1177,758],"series":[769],"class_list":["post-5075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eyeplugs","category-features","category-hot-plugs","category-icons","category-indie","category-interviews","category-picks","tag-cherry-red","tag-crash","tag-eyeplug","tag-indie","tag-the-primitives","series-cherry-red-icons"],"_links":{"self":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/5075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/comments?post=5075"}],"version-history":[{"count":10,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/5075\/revisions"}],"predecessor-version":[{"id":8653,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/5075\/revisions\/8653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media\/5083"}],"wp:attachment":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media?parent=5075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/categories?post=5075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/tags?post=5075"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/series?post=5075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}