{"id":6627,"date":"2015-02-02T16:51:30","date_gmt":"2015-02-02T16:51:30","guid":{"rendered":"http:\/\/www.eyeplug.net\/magazine\/?p=6627"},"modified":"2015-02-02T16:51:30","modified_gmt":"2015-02-02T16:51:30","slug":"mohair-sweets-reviewed-by-scenester","status":"publish","type":"post","link":"https:\/\/www.eyeplug.net\/magazine\/mohair-sweets-reviewed-by-scenester\/","title":{"rendered":"Mohair Sweets reviewed by Scenester"},"content":{"rendered":"<h1>Mohair Sweets<\/h1>\n<p><b>You Better Read Before You Sign (CD Mohair #01)<\/b><\/p>\n<p>Sandwiched in between the wheezy grind of the hurdy-gurdy, an unsettling narrative about a vicious murderer,\u00a0 and peppered with piano tinkling and ghostly skip-rope whipping, we\u2019re treated to two slices of dirty, fuzzy blues of a distinctly late 60\u2019s strain in \u2018You Better Read Before You Sign\u2019 and \u2018The Green Light\u2019. With a voice that\u2019s sounds like it\u2019s had more than its fair share of trouble, the title track\u2019s sage advice is laid down over a classic supporting cast of troubled keyboard wash, subtle drum and sweet and sour lead guitar, the latter supplying a lead out solo that wrenches out every fibre of resentment and regret it can find. Close on this track\u2019s worn down heels, \u2018The Green Light\u2019 leaps in, a full throated vocal declaiming over an 18-wheeler of a riff that doesn\u2019t let up, even in the mean-faced lead breaks.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mohair Sweets You Better Read Before You Sign (CD Mohair #01) Sandwiched in between the wheezy grind of the hurdy-gurdy, an unsettling narrative about a vicious murderer,\u00a0 and peppered with piano tinkling and ghostly skip-rope whipping, we\u2019re treated to two slices of dirty, fuzzy blues of a distinctly late 60\u2019s strain in \u2018You Better Read &hellip;<\/p>\n","protected":false},"author":6,"featured_media":6633,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[306,128,71,80,74,86],"tags":[1014,121,630,305],"series":[],"class_list":["post-6627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues","category-hot-plugs","category-music","category-punk","category-reviews","category-rock","tag-canadian-music-scene","tag-eyeplug","tag-mohair-sweets","tag-scenester"],"_links":{"self":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/6627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/comments?post=6627"}],"version-history":[{"count":5,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/6627\/revisions"}],"predecessor-version":[{"id":6636,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/posts\/6627\/revisions\/6636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media\/6633"}],"wp:attachment":[{"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/media?parent=6627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/categories?post=6627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/tags?post=6627"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.eyeplug.net\/magazine\/wp-json\/wp\/v2\/series?post=6627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}